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Midi-Pyrénées
A Parma flower encased in sugar: since the end of the 19th century, Toulouse has crystallised it to turn it into a sweet treat.
Confectionery from Midi-Pyrénées.
| Département | Haute-Garonne31 |
|---|---|
| Area | Toulouse, in Haute-Garonne — the flower was grown to the north of the city, in Lalande, Aucamville and Saint-Jory |
| Event |
Fête de la violette
Toulouse
every year, on the first weekend of February, Place du Capitole
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The violette de Toulouse is first and foremost a flower. La Maison de la Violette, which maintains its cultivation in Toulouse, reports that this variety from northern Italy, introduced to France under Napoleon III, was long called “la Parme”; it was grown in the market gardening area north of the city, in Lalande, Aucamville and Saint-Jory.
How it arrived remains an open question. The Toulouse tourist office speaks of an urban legend: an officer in Napoleon III's army is said to have brought it back from Parma for his fiancée from Toulouse. The radio station Ici (formerly France Bleu) writes that city archives attest to its arrival from Parma, in the haversack of a Napoleonic army grognard, and Cultures Sucre mentions a soldier from Toulouse returning from Italy. All three accounts have the flower arriving from Italy in a soldier's baggage, without agreeing on the details.
The dates when cultivation began vary just as much. Cultures Sucre identifies traces of Parma violet cultivation in Saint-Jory as early as 1845; La Maison de la Violette speaks of open-ground cultivation under glass frames from 1850; the radio station Ici, of cultivation starting in 1854, initially as an ornamental flower, then for perfumes. Anecdotrip, for its part, has it arriving in Toulouse at the end of the 18th century and sees it appear on Toulouse markets in 1811.
It quickly found its place there. In 1907, according to Cultures Sucre, 400 growers devoted themselves entirely to this crop, over 20 hectares, producing 600,000 bouquets a year. La Maison de la Violette adds that 600 families made a living in winter from selling this cut flower, intended for round posies sold by weight, and that it was exported to England, Germany, Russia, and even Morocco thanks to the Aéropostale.
Crystallising flowers is a very old confectionery idea. Cultures Sucre recalls that in the Middle Ages, violets were used to prepare “sucre violat” and “sirop de violette”, employed for medicinal purposes, for instance to soothe the voice; sugar, a rare commodity, was almost exclusively reserved for apothecaries. In the 17th century, Massialot described in his Confiturier Royal how to candy violets in sugar.
Crystallised violet itself is attributed to a Toulouse confectioner. The radio station Ici names him: in 1890, Monsieur Viol, a confectioner on Rue Montgaillard specialising in “gelées et confitures de ménage”, had the idea of candying the de-stalked flower in sugar syrup, adopting from apothecaries the technique of sucking pastilles. Cultures Sucre dates the idea, without giving a year, to the end of the 19th century, and credits it with a certain success. Anecdotrip wavers: it speaks of sweets made since the early 19th century, then dates the sweet to the end of the 19th century, and La Maison de la Violette notes that as early as the beginning of the 20th century, violets were crystallised in Toulouse.
A Toulouse house, Candiflor, perpetuates this tradition. The radio station Ici reports that it was founded in 1818, a family business specialising in crystallising flowers and seeds, and presents it as the last to carry on this tradition. Cultures Sucre also names it as the last company to produce candied or crystallised violet. In October 2009, Le Journal des entreprises described it as a Toulouse firm that had been making natural crystallised flowers since 1818 — violet, but also rose, acacia, lilac, mimosa, jasmine, mint and verbena leaves —, with exports representing no less than 70% of turnover.
Another violet inhabits the city's history, and Anecdotrip associates it with the sweet from the very title of its article. According to this website, it all began in November 1323, when seven troubadours met in Toulouse to devise a new kind of poetry contest: each year, in early May, a golden violet would be awarded to the poet who had written the finest poem. For the first edition of the Jeux floraux, Arnaud Vidal de Castelnaudary received the joya de la violetta; Anecdotrip adds that in the Middle Ages, Clémence Isaure intended these small flowers for the winner. This story tells of a poet's prize, not a confectionery.
The winter of 1956 froze a large part of violet production; La Maison de la Violette adds harsh growing conditions, urban development, Rungis market and competition from other flowers, encouraged by air transport. In 1984, the Chambre d'agriculture de la Haute-Garonne and the Conseil régional de Midi-Pyrénées launched a research programme to clean up the plants, which were reproduced in vitro; the name “Violette de Toulouse” became a registered trademark in 1985.
Spurred on by the association “Terre de violettes”, founded in 1993, the violette de Toulouse enjoyed a revival in popularity, and several chefs in the Toulouse region offered a dessert featuring crystallised violets on their menus. Every year, the city celebrates its flower on the first weekend of February on Place du Capitole: repotting workshops, exhibitions and activities for young and old alike.
Appearance
A violet flower encased in a sugar shell. The confectionery is made from the viola suavis variety, a highly fragrant double-petalled violet, and the sugar syrup is generally coloured. Candiflor presents its crystallised flowers whole, in petals or as fragments.
Taste
“A pronounced violet flavour, and at the same time a very pleasant and very fresh slightly tart note,” writes Anecdotrip.
Texture
The thoroughly dried sugar forms a hard shell around the flower.
they are picked in winter and spring, and confectioners crystallise them in sugar.
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It can be enjoyed on its own, or used to decorate cakes, pastries and ice cream. Placed at the bottom of a flute and topped up with sparkling white wine, it makes the kir toulousain, invented, according to the tourist office, by Roger Terzi d'Auzeville. In a champagne coupe, the radio station Ici describes its effect: bubbles form around the flower, dissolve the sugar, and the released flower rises to the surface.
Violet is also made into liqueur, syrup, honey, jam, and used to flavour tea. Cultures Sucre notes finally that the confectionery is presented in small hatboxes decorated with violets.
No official quality sign (PDO (AOP), PGI (IGP), Label Rouge) covers crystallised violette de Toulouse. La Maison de la Violette indicates that the name “Violette de Toulouse” became a registered trademark in 1985: a trademark, not an appellation of origin.
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